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Unique Accidentals: 3-4
Unique Chords: 7-10
Unique Notes: 11 - 15
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Baroque
Venice
kozmaf27
1:13 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 15 6 3 93%
Bass 14 8 3 3 100%
Violin Treble 14 4 4 5 76%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 15 6 3 93%
Bass 14 8 3 3 100%
Violin Treble 14 4 4 5 76%
 
BWV248N6 "Und sie gebar ihren ersten Sohn”
edward.maurath
0:22 Est. Play
Time
6 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 12 9 3 5 100%
Bass 9 0 2 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 12 9 3 5 100%
Bass 9 0 2 3 100%
Bassoon Bass 9 0 2 3 100%
Evangelista 16 0 4 3 83%
 
HWV8a0n4 - "Ma Terpsicore snella, dov'è?" recitativo secco
edward.maurath
0:36 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 10 0 3 3 100%
Harp Treble 12 7 4 3 56%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 10 0 3 3 100%
Harp Treble 12 7 4 3 56%
Bass 7 0 1 3 56%
Harpsichord Treble 12 7 5 1 56%
Bass 5 0 2 2 56%
Soprano as
Apollo		 5 0 1 4 56%
Soprano
as Erato		 6 0 1 3 56%
 
It will pass (Pasará)
Aman Àlvorak
0:54 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 9 0 3 5 100%
Clavichord Treble 10 6 2 4 73%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 9 0 3 5 100%
Clavichord Treble 10 6 2 4 73%
Bass 10 10 2 4 73%
Flute Treble 8 0 2 8 73%
Violin Treble 12 9 3 4 73%
 
HWV8A1N4 - "Son di Mirtillo!" recitativo secco
edward.maurath
1:47 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B.c. Bass 12 0 4 4 100%
Amarilli 14 0 4 5 68%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B.c. Bass 12 0 4 4 100%
Amarilli 14 0 4 5 68%
Mirtillo 10 0 3 3 50%
Hpsi Treble 14 17 4 2 46%
Bass 9 5 2 4 46%
Harp Treble 14 12 4 1 43%
Bass 12 10 3 2 43%
Theorbo Bass 12 6 5 2 21%
Lute Treble 13 10 4 3 18%
 
HWV8A0N13 - La speme, e cura (Erato)
edward.maurath
0:16 Est. Play
Time
3 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 12 7 4 3 100%
Bass 7 1 1 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 12 7 4 3 100%
Bass 7 1 1 2 100%
Erato 7 0 2 3 100%
Violoncello Bass 7 1 1 2 100%
 
HWV1N17vEJM - "Nein, Osman muß, was er versprochen"
edward.maurath
0:17 Est. Play
Time
6 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 11 7 3 2 83%
Bass 12 6 3 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 11 7 3 2 83%
Bass 12 6 3 2 100%
Harpsichord Treble 11 7 3 2 83%
Bass 12 6 3 2 100%
Organo Treble 11 7 3 2 83%
Bass 12 6 3 2 100%
Consalvo Bass 12 0 2 4 100%
Continuo Bass 6 0 2 2 100%
 
HWV19N9 - Sinfonia in g minor
edward.maurath
1:00 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 7 3 3 89%
Bass 16 2 2 5 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 7 3 3 89%
Bass 16 2 2 5 100%
Bassoon Continuo Bass 16 0 2 5 100%
Contrabass Continuo Bass 16 0 2 5 100%
Viola 12 0 1 5 100%
Violoncello Continuo Bass 16 0 2 5 100%
Vln
1		 Treble 14 0 3 8 100%
Vln
2		 Treble 13 0 3 7 100%
Oboe Treble 19 0 5 8 94%
 
HWV8A0N15 - La gelosia, cieco il furor (Apollo) recitativo secco
edward.maurath
0:20 Est. Play
Time
4 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 12 8 3 2 100%
Bass 6 0 1 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 12 8 3 2 100%
Bass 6 0 1 2 100%
Apollo 6 0 2 4 100%
Violoncello Bass 6 0 1 2 100%
 
Händel: "Samson," (oratorio), "Let the Bright Seraphim"
edward.maurath
3:59 Est. Play
Time
76 Measures
1,390Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 22 0 5 5 82%
Vln
1		 Treble 24 0 7 6 73%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 22 0 5 5 82%
Vln
1		 Treble 24 0 7 6 73%
Violas 17 0 5 6 72%
Vln
2		 Treble 23 0 6 6 72%
Harpsi Treble 17 15 3 7 71%
Bass 20 16 3 4 61%
Israelite Woman Treble 16 0 4 9 70%
Celli Bass 20 0 4 5 59%
Kontrebaß Bass 20 0 4 5 59%
Trumpet Treble 10 0 1 8 51%
Organ
with out
pedals (Continuo)		 Treble 16 12 5 5 22%
Bass 15 8 3 3 22%
 
passepied (GWV 325)
Masua
1:36 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clavicémbalo Treble 13 0 2 3 100%
Bass 14 7 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clavicémbalo Treble 13 0 2 3 100%
Bass 14 7 3 4 100%
 
HWV56N19Y1741 - Soprano - Then shall the eyes of the blind be opened
edward.maurath
0:26 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 7 0 2 4 100%
HPSI
LH		 Bass 13 10 4 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 7 0 2 4 100%
HPSI
LH		 Bass 13 10 4 4 100%
Hpsi
RH		 Treble 12 10 3 4 100%
Soprano 10 0 4 5 100%
 
HWV56N19Y1742 - Messiah - Alto - Then shall the eyes of the blind be opened (1742)
edward.maurath
0:26 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto 10 0 4 5 100%
Cello Bass 7 0 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto 10 0 4 5 100%
Cello Bass 7 0 2 4 100%
Contrabass Bass 7 0 2 4 100%
HPSI
LH		 Bass 10 8 3 4 100%
Hpsi
RH		 Treble 11 9 4 4 100%
 
Chorus, "Viva il nostro Alcide" from "Giulio Cesare" HWV 17 (1724)
edward.maurath
2:17 Est. Play
Time
64 Measures
1,288Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Continuo Treble 15 3 1 3 100%
Bass 15 5 1 3 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Continuo Treble 15 3 1 3 100%
Bass 15 5 1 3 100%
Bassoon (Violas) 12 0 1 5 100%
Bassoon Continuo Bass 15 0 1 2 100%
Contrabasses Continuo Bass 15 0 1 2 100%
Oboe 1 Treble 15 7 3 6 100%
Oboe 2 Treble 15 0 3 5 100%
Violas 12 0 1 5 100%
Violins 1 Treble 15 7 3 6 100%
Violins 2 Treble 15 0 3 5 100%
Violoncellos Continuo Bass 15 0 1 2 100%
Horn A Treble 9 18 0 5 69%
Horn D Treble 9 18 2 5 69%
Basses Bass 12 1 1 4 41%
CONTRALTOS 11 0 2 3 41%
Sopranos 9 2 2 6 41%
Tenors 9 5 1 3 41%